Recently, there are new developments in art RWA. An institution has launched a tokenization project called JIUTAO for the Qing Dynasty Palace collection celestial globe vase, splitting this cultural relic into 1 million tokens, each priced at 0.5 USDT. It sounds a bit revolutionary, but upon closer inspection, the logic is quite clear.

The entire model works like this: after you subscribe to the tokens, on one hand, holders can share in the proceeds from future auctions, which involves real financial returns; on the other hand, they can also receive IP licensing dividends. More importantly, the project explicitly states that an auction will be held in Q2 2026, with a minimum guaranteed price of $1 million. This means your tokens are not locked forever; after 30 days, they can be freely traded on the secondary market, with clear liquidity and exit mechanisms.

Compared to some previous RWA projects that were just about cutting profits, this one at least clearly states the risks and rewards. The art piece itself has tangible value backing, combined with transparent distribution rules and auction commitments, which indeed lowers the participation threshold. Previously, buying top-tier collectibles was a game for the wealthy; now ordinary investors can also participate by splitting the investment.

However, obvious questions remain: since the RWA track is still in early exploration, will the auction prices be lower than expected? Is the secondary liquidity of the tokens truly sufficient? These are important considerations. Do you think this model is reliable? Will art RWA become the next hot trend?